Faculty Publications: English – Winter Break 20/21

May 10, 2021


Carlile, Susan. “The First Woman Shakespeare Scholar Questions ‘Genius.'” April 26,
2019, https://martinevanelk.wordpress.com/2019/04/26/the-first-woman-shakespeare-scholar- questions-genius/
—.“Charlotte Lennox: Satirical Poetry and the Rise of Participatory Democracy.” British Women Satirists in the Long Eighteenth Century. Ed. Amanda Hiner and Elizabeth Tasker Davis. Cambridge University Press, 2021.
—.“Eliza” and “Sophia” entries in The Cambridge Encyclopedia of the British Novel, Cambridge University Press, 2021.
—.“The First Information Age: Women and the Making of the English Canon.” Review Essay of Betty Schellenberg’s Literary Coteries and the Making of Modern Print Culture: 1740-1790. Eighteenth- Century Life 45:1 (January 2021).
—.The Female Quixote.Handbook of the British Novel in the Long Eighteenth Century. Eds. Katrin Berndt and Alessa Johns. De Gruyter, 2022.

Egan, Gerald. Fashion and Authorship: Literary Production and Cultural Style from the Eighteenth to the Twenty-First Century. Palgrave Macmillan, 2020.

Greenberg, Suzanne. “Come See Us Again,” Santa Monica Review 31.1, 2019.
—.“Gasp,” Tiny Coronavirus Stories, Artists & Climate Change, 2020. https://artistsandclimatechange.com/2020/04/04/tiny-coronavirus-stories-isolated-for-days-on-end/
—. “Offering.” Silver Screen Reflections: An Anthology of Movie-Related Fiction, Poetry, and Essays. Los Angeles: Angel Flight Books, Forthcoming, Summer 2021.

Guffey, Robert. “Advertising Man.” Nameless Vol. 2, No. 4 (December 2019).
—.BELA LUGOSI AND THE MONOGRAM NINE (written in collaboration with Gary D. Rhodes). BearManor Media, 2019.
—.“The Detective with the Glass Gun.” Black Dandy #3 (February 2019).
—.“Dymaxion Love.” Hypnos Vol. 8, No. 1 (Spring 2019).
—.“Farewell, Frankenstein!” Freedom of Screech. Crossroad Press, 2019.
—.“A Scarcity of Angels” (Part One). Selene Quarterly Magazine Vol. 2, No. 3 (November 2019).
—. “62 Cents.” The Mailer Review Vol. 13, No. 1 (Fall 2019).
—. “Donald Trump’s Operation Mindfuck.” The Evergreen Review (November 2, 2020). 
—. “Dark Twins of a Distorted American Dream: Gary D. Rhodes’ Offed and “Steve Erickson’s Shadowbahn.” Medium (October 25, 2020).
—.“Decoding  QAnon:  From Pizzagate  to  Kanye  to  Marina  Abramovic, This Conspiracy  Covers Everything.” Salon (September 7,   2020).
—.“The Deep, Twisted Roots of QAnon: From 1940s Sci-fi to 19th-century Anti-Masonic Agitprop.” Salon (August 23, 2020).
–. “Her Wounded Eyes.” New Reader Magazine #10 (June 2020).
—.“The Loser.” Black Cat Mystery Magazine #6 (June 2020).
—.“The Pharmacy” and “The Lemon Thief.” Rosebud#67 (Spring 2020).
—.“A Scarcity of Angels” (Part Two).  Selene Quarterly Magazine Vol. 2, No.4 (February 2020).
—.“Watch Out or You’ll End up in My Novel: The Lost World of Ask the Dust.” John Fante’s Ask the Dust: A Joining of Voices and Views. Fordham University Press, 2020.
—.“What Are the True Goals of QAnon? It’s the 21st Century’s Ultimate Catfish Scheme.” Salon(September 13, 2020).
—.“What Is QAnon?: A Not-so-brief Introduction to the Conspiracy Theory That’s Eating America.” Salon (August 16, 2020).
—. BELA LUGOSI’S DEAD. Crossroad Press, 2021. (Forthcoming.)

Hart, George. Anthropocene Poetics: Deep Time, Sacrifice Zones, and Extinction, by David Farrier. https://www.dispatchespoetrywars.com/poetics-for-the-more-than-human-world/david-farriers-anthropocene-poetics/
—.“The Dark Ecology of Naked Lunch.” Humanities, vol. 9, no. 130, special issue, “Keep on Rolling under the Stars: Green Readings on the Beat Generation,” doi: 10.3390/h9040130.
—.“Larry Eigner’s Ecrippoetics,” Amodern 10, Disability Poetics, edited by Orchid Tierney, https://amodern.net/
—. Letters to Jargon: The Correspondence between Larry Eigner and Jonathan Williams, Edited by Andrew Rippeon. Contemporary Literature, summer 2020.
—. Momentous Inconclusions: The Life and Work of Larry Eigner, co-edited with Jennifer Bartlett. Albuquerque: University of New Mexico Press, 2020.
—. Finding the Weight of Things: Larry Eigner’s Ecrippoetics. Tuscaloosa: University of Alabama Press, forthcoming 2021.

Hultgren, Neil. “Arthur Machen’s Infinite Paragraph: Narrative Style and the Weird,” Studies in Walter Pater and Aestheticism 4 (Summer 2019): 87-109.

Friedman, Dustin and Neil Hultgren. “Decadence and the Weird: Introduction,” Studies in Walter Pater and Aestheticism 4 (Summer 2019): 35-44.

Margrave, Clint. “Middle Age Slam Pit” (Forthcoming in Without a Doubt Anthology, NYQ Books).
—. “A Supermarket in California” Another Chicago Magazine (Dispatches from the Pandemic).
—. “Visitor” and “Call to Prayer” (Forthcoming) New York Quarterly.
—. Visitor (forthcoming poetry collection) NYQ Books, 2021.
—. Lying Bastard (a novel), Run Amok Books, 2020.
—. “The Meta-metamorphosis,” Rattle Magazine, 2020.
—. “Death and the Miser,” Slipstream Fall 2019.
—. “Doctor  Zhivago.” “Parts Unknown.” The American Journal of Poetry. Summer issue, 2019.
—. “The Humming.” Journal of Compressed Arts, 2019.
—. “Once I Shared a Wall with God,” Threepenny Review, 2019.
—. “When Death Travels,” Rattle Magazine, 2019.
—. “Wood Carving Lesson.” Rust + Moth, Summer Issue 2019.

Mohr, Bill. “The Aging Comedian as Letter N” – This 20 minute comic monologue, which was revised and recorded during my sabbatical in the Fall, 2018, was posted on Magra Radio, an on-line radio outlet directed by Paul Vangelisti, in May, 2019. It has subsequently been revised and re-recorded. https://www.magrabooks.com/radio/2019/3/31/episode-6-the-comedian-by-bill-mohr 
—. INTERLIQ (The International Literary Quarterly. Special Issue: California Poets, edited by David Garyan. Four Poems: “The Predicament”; “Turn Lane”; “Breaking Camp”; “Morning Wood.” Four Poems: “The Predicament”; “Turn Lane”; “Breaking Camp”; “Morning Wood.”   http://www.interlitq.org/californiafeature1/index.php 
—. Poetic Diversity: the Poetry Zine of Los Angeles – POEM: “August Days, Autumn Nights” (November 2019, vol. 16, No. 2. Nominated for a Pushcart Prize by the editor, Marie Lecrivain. 
—. Blue Collar Review: Journal of Progressive Working Class Literature. Edited by Al Markowitz; Norfolk, Virginia. “Naming the Bridge.” Summer 2020. Poem chosen as one of nine poems from the issue featured on its online site: http://www.angelfire.com/va/bcr/
—. “Honorable Discharge: ‘I Want My Life Back’ “. Ten minute prose monologue and poem recorded by Victory Theater in Burbank, California for its “Backstory” series of presentations on the theme night of “The Ten Commandments.” Originally broadcast on April 26, 2020.  https://www.youtube.com/channel/UC-Q1BSk81MRmU1WA4BshnqA 
—. Hummingbird: Magazine of the Short Poem. (Madison, Wisconsin) Edited by C.X. Dillhunt. Volume XXX, No. 2 (2020). “Quarantine Aquarium.”  
—. Making Up: Poems of Beauty, Reconciliation, & Invention. Edited by Shannon Phillips. Picture Show Press, 2020. POEM. “Not Your Average Absentee Landlord.” 
 —. “Teaching Venice West, Lawrence Lipton, and California’s Literary Canon.” The Beats: A Teaching Companion, edited by Nancy Grace. South Carolina: Clemson University Press, forthcoming publication in February, 2021.  

Treviño, Rene H. “Yda H. Addis (c. 1857-?): An Annotated Bibliography.” Resources for American Literary Study, vol. 42, no. 2, forthcoming spring 2021.

Wegener, Frederick. “What the Stones Might Not Tell: Questioning the Attribution of Edith Wharton’s Print Debut.” Edith Wharton Review, vol. 35 (2019), pp. 119-35.
—.Review of Progressivism’s Aesthetic Education: The Bildungsroman and the American School, 1890 1920, by Jesse Raber. American Literary Realism vol. 52
(Spring 2020), pp. 278-80.

Zepeda, Ray. Can This Wolf Survive? Angels Flight Books, 2020.